2022 Costuming/Historical Sewing Year in Review

It's that time of year when I take stock of my costuming accomplishments.  I've expanded this post to include other historical sewing since some of it required a boatload of research and took a lot of time.  Note that these projects are all sewn in the period manner.  If the period used machines, then a machine was used.  If hand sewing was the period standard, then the project was sewn by hand in the manner revealed in my research. Many of these items are accessories--some of which are just as labor intensive as full sized garments--particularly those with any embroidery or trim.  

One thing that always amuses me when I make these year in review posts is how different this list often is from the goals list I make at the beginning of the year.  Two of these projects were on my goals list.  At least two of those original goals that weren't completed will go on my goals for 2023 list.  LOL.  Sometimes my research and needs just takes me in a different direction!

This post does not include my modern sewing projects which includes three 1950's style frocks and 3 or 4 other garments.  I've listed these in order of completion and linked them to blog posts/tutorials where they exist.

1.  1921 black worsted tea frock.   This one was a lot more complicated than it appears to be!

      Detailed post with research can be found here. 

2. 1920s black taffeta petticoat.

    

Detailed post and tutorial can be found here.

3 and 4.  1786 Balloon hat and figured wool Italian gown.

               Detailed post and hat tutorial can be found here.

       

5, 6, and 7.   Three different silk bonnets.

                     Detailed post and tutorial can be found here:

8.  1780 Chintz gown.   Shown here with my friend Esther, who is wearing a gown of the same fabric!

      I'm on the right.  Detailed post can be found here.

9 and 10.  Two new work aprons.  The heavier white apron and the red checked apron are new.  

                 The blue one is included to show the new hand woven tape.  

11.  A new 1760s work gown for Widow Ferguson.   This gown is being worn with the white apron above         as well as a new linen voile handkerchief included with this project.

       Detailed post can be found here.

12.  1810s Regency cap made from a remnant of antique sprigged organdy.

13.  Linen bed gown.  It's hard to believe I haven't had a bed gown all these years.  I completed this one as         part of an 18th century home sewing presentation and found that I rather liked it.

14.  1920s brimmed cloche.  I wasn't sure whether to include this or not.  It was a fair amount of work.  It         was refashioned from a wide brimmed large brimmed thrift store hat that is 100% wool.  I had to         

       completely reblock it numerous times, cut away much of the brim and stiffen it more.  I should trim it 

       but haven't yet decided on what I want.

15.  Common linen mitts.    These were done as a sample for a mitts workshop.

16.  1770s Sheer organdy cap.  Another demo project for a workshop.

17.  1770s shift.  This one was a lot of work but desperately needed.

18.  In progress, fine linen voile Quaker cap.  Hopefully I'll finish it before the end of the year in which csse I will update.

Other history sewing that I don't wear:

Men's shirt.   This was made for a museum program on Esther deBerdt Reed.  I found myself demonstrating thread button making all day as the kids seemed to enjoy it.

Baby layette from Sharon Burnston's excellent instructions.

Miniature bedding project:  This was a lengthy project as I had to make the rope bed from an Ikea doll  

bed.  Details and research can be found here.

Rose blanket for the miniature bed:  research and details here.

In progress:  Blue checked men's shirt.  If I finish it, I'll update.

When I start these posts, I always think I didn't accomplish much--until I actually start counting and realize that I was rather productive!  I have a lot planned for 2023 and I suspect that what gets finished will not even be on that list if past years are an indicator. LOL.

Here's to a new year with lots of new sewing adventures!

Raiding the linen closet . . . 18th century edition! A tutorial.

I love vintage and antique lace and linens.  I have quite a collection of vintage linens which I use in my home.  Most of them are printed or embroidered scarves, tablecloths, doilies etc. from the early 20th century.  Some are family pieces.  I've been purchasing vintage linens again -- only with the intent of repurposing them into 18th century accessories.  This started after I saw some extant examples of aprons and kerchiefs that had fancy embroidery and, quite frankly, I just don't have the time to do the embroidery.  Most of the examples I've seen have some sort of whitework:  Tambour, Dresden, pulled or drawn thread embroidery.  Sometimes they have a combination of these techniques.

I'd like to offer some do's and don'ts about using vintage linens to create accessories.

1.  Familiarize yourself with the styles of lace and embroidery that were used in the 18th century.  Lace was obviously handmade at that time and it was typically bobbin or fine needle lace.  There are some fine French Valenciennes laces available today, usually from heirloom sewing suppliers, that while machine made, are somewhat similar to those of the 18th century.  You will need to find which motifs are appropriate. This link is an academic article about lace that is appropriate for Revolutionary War reenactors.   It is also helpful to study extant garments to see the types of laces and embroidery they are decorated with. This link will take you to a list of links to photos of extant garments to look at.

Here are some extant accessories that are representative of pieces that may be reproduced using vintage linens:

Aprons

Kerchiefs

Sleeve Ruffles

Most of these are tambour embroidery or whitework on muslin or linen.  There is also some Brussels lace on a net ground.  You will find these styles of embroidery to be fairly common on vintage curtains in particular.

2.  Consider the size of the garment you are making and the placement of the embroidery on the curtain or household item.  I have found that some curtains have the embroidery just across the bottom whereas others have it at the bottom and up one side.  You will need to take this into consideration when planning your project.  Here is an example.  I have a pair of 24" X 36" curtains with tambour embroidery.  Their small size is somewhat limiting in what I can make.  I can cut a 24" square handkerchief with the embroidery on one side.  I've shaded the area that would create a handkerchief.  I could also just cut that into a triangle.  Since I have another curtain like this which is a mirror image, I could also seam the two curtains together in the center to make an apron with embroidery down the sides and across the bottom.  It is helpful to consider this before purchasing your linens.

3. Condition of the linens.  Look at the condition and determine how much restoration must be done. It's easy to whiten linens if that is the only problem.  Years ago, I took a restoration class at the Smithsonian and they used a solution of Sodium Perborate as a whitener.  This is the main ingredient in Clorox 2 powder so I've always made a fairly strong solution of Clorox 2 powder and room temperature water.  I soak the linens in it until white, rinse thoroughly and hang or lay flat to dry. One thing to be careful of--when you are lifting wet linens from soaking, be sure to support the weight of them from underneath as the weight can cause tearing.  

Another thing when considering the condition is to look for repairs.  Many repairs aren't readily visible and others are.  Look to see if the repairs are done by hand or machine.  If machine repaired, can it be restitched by hand?  Remember that you are making a period piece and you don't want machine stitching to show.

Here are a few projects that I've made from vintage linens.  

1.  Muslin/organdy apron with tambour embroidery:

I was fortunate enough to come across a pair of vintage curtains that were 89 inches wide by 91 inches long with tambour embroidery along the bottom edge.  I cut a portion of one curtain about 48 inches wide and 30 inches long.  I gathered the top with stroke gathers and bound the top with antique silk grosgrain ribbon.  Here is what the curtain looked like:

I only used a section of one curtain and I believe I have enough left of that plus the unused curtain to make a Regency dress with an embroidered hemline and possibly embroidered sleeves!

2.  Fancy tambour kerchief:

This piece needed more restoration.  It was new old store stock that was extremely discolored.  Here is what the curtain looked like before cutting:

Close up of the embroidery

As you can see, most of the embroidery is concentrated in one corner so I chose to make a half handkerchief using the fancy corner of the curtain.  It is quite generously sized:  half of a 38 inch square.  I've decided to use the opposite corner for a smaller, simpler half kerchief.  It's waiting to be roll hemmed.

3.  Fancy lace apron:

This one required a bit more work.  Here is what the original curtain panel looked like:

It was about 70 inches long.  First I had to whiten it, remove the fringe and I had to find some narrow appropriate French lace for an edging.

The lace was soaked as described above.  I wrapped it around a glass to keep it flat and to keep it from tangling then I immersed the glass in the solution.  I rinsed and dried it on the glass as well--putting the glass out on my deck table to dry in the sun.

Nice and white!

I had to choose a good place to cut the curtain--looking at the design on the lace and keeping the apron an appropriate length.  I decided to gather the lace in 5 places because it was fairly narrow--only 32 inches wide--and I didn't think it was wide enough to gather it all the way across.  Fortunately the extant piece that inspired me was gathered this way.  I made a waistband out of organdy and I will insert silk ribbon ties in the ends of the waistband which were left open.

Here is the extant apron that inspired this piece:

This piece is on muslin and mine is lace.  Some of the motifs are similar and this apron is edged with narrow bobbin lace similar to the modern lace I used.

Repurposing linens is fun and it's like a treasure hunt combing through them in thrift stores, yard sales and online auction sites.

It's always rewarding to be able to use someone else's cast offs to make a new treasure!