Showing posts with label 1790s. Show all posts
Showing posts with label 1790s. Show all posts

Monday, December 19, 2022

2023 Costuming Goals

It's time to set some goals for 2023.  It will be interesting to see which of these I actually complete in a year and how many projects I complete that are not on this list!


1.  Finish my linen voile lappet cap.

2.  Grace Banker needs an overcoat for mid January.

I have some navy wool broadcloth that may work for this.  I need to do a bit more research to find out if this is the right textile or if I should order something else.  This one is still up in the air as it's a real time crunch



3.  Elizabeth Chew would like some fashionable undress. 

I have 7 yards of this silk.  It screams something sack back.  I think a late 70s short sack with sabot sleeves would fit the bill nicely.  It will have modest trim --typical of that era--with a shorter petticoat.  My goal is to have this for our February event.




4.  Yellow linen petticoat
     This is the petticoat to go with Widow Ferguson's work gown that I made last year.  It will also go with another linen gown I have planned.


5.  Simple summer 1920s Robe de Style



6.  To piggy back on the last item, I need an under slip with panniers for the robe de style based on this one from the Underpinnings Museum.



7.  1916 Spring frock




8.  1903 Corset



The background of this coutil is very pale--almost white.


9.  Long Regency Stays--Red Threaded pattern


10.  1775-76 Linen gown



11.  Mrs. Izard's 1776 silk sack.




12.  Finish my Met 1812 Cap project. 
I've drafted a pattern for this cap which I need to muslin, refine and make up.  I have swiss batiste in the same pattern.




Other possibilities from past years:

1.  1912 tea gown (center image)



2. 1920 Robe de Style--repro of MDHS frock.


3. 1790s round gown--using the sprigged lawn from Virgil's Fine goods




4.  Late 19teens/early 1920s winter jacket


I have some black wool melton and nice faux fur to trim this one.


I have a bunch of 1930s - 1950s day wear to make but that's my "modern" clothing so I won't list that here.

So the real challenge will be sticking to this list when I know that other inspiration will hit!

I hope everyone has a productive 2023!

Sunday, December 22, 2019

2019 A Year in Costuming Review



It's that time of year when I take stock of the sewing accomplishments for the year.  I always get a kick out of how much I accomplish but how much of it is not on the list of things I actually planned to do. LOL.  I often end up planning for an event that came up and make things based on research I'm doing so those things I planned to do and didn't get done will have to wait!

This year I invested a lot of time and research into accessories.  Make no mistake--some accessories take every bit as long as a basic gown.  I love doing all the fiddly little sewing on accessories and I love that a good accessories closet means that you can give multiple looks to one gown.

So here's the round up.
#1-- 1950s Bolero.  I bought the dress from the Modern Mantua Maker and decided that it needed a little jacket or something.  I had an existing vintage 50s dress with a bolero so I patterned this one off that the vintage one.

#2--Black silk hat copied from a 1772 portrait

#3-- French drawers to wear with my Edwardian chemise and corset

#4--Edwardian princess slip

#5-- 1912 Edwardian tea gown and hat

#6 -- organdy lappet cap copied from portrait of Sarah Livingston Alexander (Lady Stirling)

#7-- 1760s wool sateen mourning gown / petticoat

#8 -- Chintz sacque

#9 / #10 -- Indienne Italian gown with ruffled linen petticoat and parasol which was made to fit an old Edwardian frame

#11/ #12 / #13 -- voile half bodiced petticoat,  Indienne 1790s overgown, 1790s hat

#14 Indienne summer spencer and decorated bonnet

#15 -- French hat copied from 1778 fashion plate

#16--1810s ball gown made from antique silk sari

#17 -- silk lined lambskin mitts

#18 -- Silk gauze fancy neck handkerchief--copied from portrait of Mrs. William Coffin by Copley

#19 -- burgundy ribbed silk ruffled petticoat


#20 --another organdy lappet cap shown with inspiration images

#21 -- organdy Dormeuse cap with shown with inspiration images

#22 / #23 -- black silk velvet hood  and black silk lined lambskin mitts (shown with muff that got an upgrade)

#24 -- Black silk taffeta hood


Sunday, August 18, 2019

1790s Over Gown, Hat and Half Bodiced Petticoat

We held our first Federal Era workshop weekend this weekend and I wanted to make sure I had an outfit from each decade to wear.  I planned on wearing my 1805 dotted Swiss ball gown on Friday and my 1810s block print gown on Saturday. I wanted to make a 1790s outfit to wear to Hampton Manor on Sunday since the mansion was completed in 1790.  I had about 4 yards of some bock printed voile left over that I had used for a summer Italian gown so I figured I'd use that to make an over gown to be worn over a half bodiced petticoat.  Here are my inspiration images:




This was my inspiration image for a hat.

I decided to start with the petticoat.  I fell in love with this pattern when hosting a Spencer workshop with Mackenzie Anderson Sholtz of Fig Leaf Patterns.  She showed a number of outfits that were made by using the same petticoat with a variety of Spencers and short gowns making that petticoat suitable for several decades.  I really like that idea.  I have a number of 1 -2 yard pieces of fabric that can be used for the toppers so I decided to make several of these petticoats.  I'm still working on the 2nd one.  The one for this outfit is made out of my favorite voile from Renaissance Fabrics.  I decided to order a Swiss embroidered voile trim.    The fullness of this petticoat was determined by the amount of trim I bought--3 yards.

I really like the way this is constructed.  There is one "bodice" piece plus a shoulder strap which are cut from linen.  The edges are turn in and covered with tape with is stitched on both edges.  The shoulder strap seams are taped in a similar manner.  These pieces are stitched to a waist tape as is the skirt which is split at the upper back.

I completed the bottom treatment by stitching the Swiss trim on using a French seam.  Then I made 3 1-inch tucks.  

I determined the final length and stitched the skirt to the waist band. You can see how wide set the side fronts are.  They sort of sit on the very edge of the shoulder.  This works well as they do not show under the gown or neckline.

The back crosses over. There's an eyelet on one side for one tie to go through.  The ties wrap around and tie at the front, or you can make them longer to wrap all the way to the back.

Next the over gown. I used my usual pattern which is the Sense and Sensibility Elegant Lady's Closet drawstring gown following the same alterations outlined here.  Basically I added more fabric to the center front to have more gathers in the area over the bust and I lowered the neckline 2 inches.  For this gown, I split the front in the center so I could just pull the gown on and tie both drawstrings.  I also eliminated the front lining.  I cut only 2 small skirt fronts about 12 inches wide.  The gown secures by tying both ties and adjusting the gathers.


The last part to be completed was the hat.  I raided my thrift store hat stash and found one I thought would work.  The crown needs to be reblocked to have a flat top and more defined shape.


I pulled off the shelled band and saturated the crown of the hat.

I stretched the crown over a large tin that I use for hats and wrapped bias tape around it to secure it while it dried.

There was something about the natural straw color that just didn't look right to me for this project so I found a spray fabric paint at Joann's. 

I sprayed several light coats on both sides of the hat, making sure to get the paint in the crevices.  I ended up using the entire can.  I was really pleased with the results.  This paint doesn't get stiff and it has a matte finish.

The texture of the straw on the underside of the brim was sort of rough so I decided to cover it with yellow silk.  I measured the depth of the brim and added 2 inches.  I also measured the circumference of the brim.  I added 1 inch to the circumference and cut a strip of silk that length and 7 inches wide then seamed the short ends.  I then ran gathering stitches by machine along one long edge.

I pinned the ungathered edge to the brim edge right sides together and stitched about 3/8 inches from the edge.

I flipped the silk to the underside of the had and drew up the gathering stitches, arranging the gathers to form pleats which I pinned in place.  I then stitched the pleats in place by hand along the crease where the brim meets the crown.

As I was on a time crunch, I left the inside unfinished though I do intend to insert a white linen liner in the crown. I cut a band to wrap around the crown, folded the long edges in to form a hem and pressed a lengthwise pleat in it.  I wrapped it around the brim and just secured it with a few stitches at the center back. I flipped the back brim up and secured it to the crown with a few stitches, hiding the back of the crown band.


I made a six loop bow by cutting 3 strips of fabric, pressing the long edges under to form ahem then stitching them together to make a flat bow.  The front brim was secured to the crown just like the back with the bow tacked on.  The plume is just stuck in behind the bow.

Here is the side view showing the hat band.  This hat is secured to the head with a hat pin.  

So to wear this outfit, I still need another petticoat as the voile is simply too sheer.  I had made a strapped petticoat 3 years ago which I use under all my sheer gowns.  It was made quickly by machine using the skirt from the Sense & Sensibility Regency gown.  I made the skirt as instructed in the pattern and stitched to a waist band fitting my under bust measurement.  I then stitched 1 inch wide cotton tape at the front and back for the straps, setting the straps wide.  The back closes with 2 buttons.


Getting dressed:  Regency shift, short stays then strapped petticoat. 

Then the half bodiced petticoat and the gown.

Add a sheer half handkerchief then tie the 2 gown drawstrings and tuck the handkerchief and the ties from the gown and the petticoat inside the bodice.

Add some flowers with a bow, shoes and hat!

At Hampton Manor





(photo by Jackie Greer)

I'm really delighted with this outfit.  I have some small pieces of fabric to make both the Fig Leaf Patterns short gown and drawstring Spencer to wear with the same petticoat.  The over gown was a super quick project, even when made entirely by hand!  The petticoat was more time intensive due to the tucks. I highly recommend the pattern though.